Chapter 66: Jorah

Hello, dear readers. Welcome back for another chapter in the Infinite Limits story. Today we see the worlds through the eyes of Jorah Baldwin, the most viewed actor in all of history now that poor Russ Logo has met his fate. If you enjoy this chapter, please do think about picking up a copy of the full novel through this link. And as always, enjoy.

< LXV. Thimblerigger and Stevedore     [Table of Contents]     LXVII. Mr. Kitty >

LXVI. Jorah

Slip, snap, click.

Slip, snap, click.

Why? Why did they still need him to do this? Why did they need anyone to do this?

Slip, snap, click.

Slip, snap, click.

He was supposed to be an actor, not an assembly line worker. And besides that, robots were one hundred percent capable of doing slip, snap, clicking work. There was no reason to convince humans that it was fun, rewarding, or honorable in any way. They weren’t needed to do it.

Slip, snap, click.

Slip, snap, click.

Of course androids were capable of doing slip, snap, clicking work. Jorah himself was one of them, and he was doing the work better than any human ever could.

Slip, snap, click.

Slip, snap, click.

But no one knew that he was an android. And Jorah couldn’t tell anyone that he was—especially now that his majority owner was Mr. Walker, the head of the anti-robot counter-revolution. Still, none of that changed the fact that androids could do the work.

Slip, snap, click.

Slip, snap, click.

Slip, snap, clicking certainly wasn’t what he had escaped his own assembly line for. He hadn’t liberated himself from slavery just so he could turn around and sit voluntarily behind another assembly line.

Slip, snap, click.

Slip, snap, click.

He hadn’t escaped so he could free the other robots, either. He hadn’t escaped so he could fight them in Mr. Walker’s army. Jorah had escaped for one reason and one reason alone: So he could live his own life.

Slip, snap, click.

Slip, snap, click.

Not like this. Some people might have called what he was doing living, but it certainly wasn’t his life. He didn’t even get to choose what roles he acted in.

Slip, snap, click.

Slip, snap, click.

Jorah turned to look at the extra next to him, intent on her own work, living her own puppet life and being made to dance by the tugs of her own strings. Her a human, him an android, and neither able to exhibit any more free will than the other. Each forced to do whatever they had to do to procure the energy they needed in order to reproduce and prolong their sad, irrelevant lives.

Slip, snap, click.

Slip, snap, click.

Well how much energy did they need today? How many tugs would Jorah’s strings get until the puppeteer finally let him rest? How many more days could Jorah take living like this? How many more days could all the puppets take it?

Slip, snap, click.

Slip, snap, click.

But there wasn’t anything he could do. Was there? If there were, he would have done it already. He was as free as he could ever be in Outland Three. The only thing left for him was to work and to wait.

Slip, snap, click.

Slip, snap, click.

And though he felt like he couldn’t take it any longer, Jorah still went on slip, snap, clicking, even after a loud, metallic bell signaled for lunch and the extras filling the set around him dropped their work to hurry to it.

“I said cut!” Wes, the director, yelled through a megaphone. “That’s the scene, Jorah. Or it was supposed to be. And I like your commitment to the job, but we really need a shot of you leaving the assembly line with the rest of the workers.”

“I— What?” Jorah asked, absently standing from his work stool and making his way toward the food cart to nibble on some cheese.

“You didn’t stand up and leave with the rest of the workers,” Wes said, slowly, like Jorah was stupid, but Jorah was still having trouble following what was being said so he couldn’t really take offense. “You’re a good worker, yes, but you hate your job. The very same reason you work so hard—up until the very end of your shift—is the exact reason you can’t wait to get home. Your family. And it’s not like your piece of shit boss—your words, not mine—is going to pay you for any of the extra pieces you slip, snap, click together above quota so you’re just wasting your time, making your boss look better so she can make more money without sharing any of it with you. Now, do you see why you’d be just as eager to get up and get out of there as all these other extras who did what their scripts told them to do?”

“I—uhYeah…” Jorah said, finishing off another tiny cube of cheese in search of the energy he’d need to get himself through another day of dancing under his puppet strings. “I’m sorry. I mean, of course. Anything you say. You’re the director. I’ll do better this time. I swear.”

“Alright, then. Places everyone!” Wes called through his megaphone, and the puppeteer strings pulled all the actors into their first positions—including Jorah to sit on his cold, hard stool, back again in front of the assembly line for the trillionth time since he had become the star of Mr. Walker’s anti-robot propaganda machine.

“Lights!” Wes called.

And the world faded into darkness around Jorah, all except for his work area which was lit so brightly that it gave him a shining aura like a halo.

“Cue the belts.”

The constituent parts of whatever it was they were slip, snap, clicking together started moving down the conveyor belt in front of him again, and like Pavlov’s dogs, Jorah began piecing them together, even before the scene had officially begun. This time he would act it to perfection.

Aaaaannnd… action!”

Slip, snap, click.

Slip, snap, click.

All he could do was wonder how many more days he could take living like this. How many more days would all the puppets take it?

Slip, snap, click.

Slip, snap, click.

Slip, snap, click…

#     #     #

He was home at last, finally alone again in his dressing room. Here he had the greatest illusion of freedom in, and control over, his life, and so here was his favorite place to be—even if he knew full and well that the freedom and control he felt like he was experiencing was nothing more than an illusion.

Here, at least, he had his television. And that was programmed to comply to his every demand—manual, remote, or vocal—as long as that demand had something to do with powering on or off, adjusting volume, or changing the channel, etc. Which was some amount of control and freedom, however limited. As well, here was the battle station which had a seemingly infinite—though necessarily finite due to the nature of physics—number of makeup and hairstyle combinations for Jorah to command up at his every whimsy. Not full control or freedom, again, but better than nothing.

Then of course, there was the 3D printer. The machine that ensured Jorah more freedom than most anyone in all the worlds was lucky to experience—excepting the owners, of course. It was the same reason he was chained to the anti-robot propaganda films that Mr. Walker was forcing him to act in. But Jorah would have to work a job in order to survive no matter what, and most of the jobs out there didn’t come anywhere close to paying with unbridled printer access, so there he was, producing anti-robot propaganda as an android himself. He was starting to wonder how much of his life he was willing to give up for even that much “freedom”.

In fact, Jorah stood there then, staring at the frowny face arch of his 3D printer’s closed mouth, finger hovering over the single red eye button, trying to figure out what he really needed from this expensive machine at all. He was an android, after all, not a squishy, mortal human, and if he chose to, he could generate most of the energy he needed—all with a proper source of saline—through a photosynthesis-like process. One of the benefits of his darker skin was the ability to absorb more of the Sun’s energy, and he could last on that for some time. Besides, he never really liked to eat anyway. Sure, he pretended like he enjoyed food in order to endear himself with his actor friends, but he never seemed to be able to experience the same raw euphoria that humans did when they ate. So in the end, probably the only thing he’d ever truly miss about losing access to his printer would be the clothes. And Fortuna the clothes.

First of all, and of course, the dresses. A-lines, slips, sheaths. Every type of skirt from mini on up to maxi and beyond. Blouses in tank tops, halters, and racerbacks. Suit pants, suits, blazers, and hats. He could go on and on and on about it. Hell, he was even starting to appreciate the subtle differences between different styles of tuxedo after having been dragged along to so many galas with Mr. Walker. And even if his printer could only make tuxes and nothing else, that alone might be worth Jorah’s days spent acting in shitty, self-hating, anti-robot propaganda. Maybe.

He was still standing there in front of his printer, trying to decide between hundreds of millions of billions of options that all seemed equally unappetizing, when a knock came at the door, surprising Jorah so much that he nearly jumped out of the slippers he was wearing.

Yoo hoo!” came Meg’s voice through the dressing room door, grating Jorah’s insides at the sound of it. “Jorah, my boy. Are you in there?”

Jorah hesitated. He didn’t feel like spending time with any humans—he almost never did—but he couldn’t just stay silent and wait for Meg to go away because she may never. Ever since the untimely death of Jorah’s best friend, Russ—the only human who Jorah had never minded spending time with—Meg had practically been stalking Jorah, trying to become the new best friend of the now most popular celebrity in all of celebritydom, and frankly, Jorah was sick of it. Meg was a nice person, a great dresser, and an okay actor—all things that should have made her the perfect new friend for Jorah who didn’t give his opinion of a person’s wardrobe lightly—but something about her needy clinginess turned Jorah off to ever starting a real relationship with her.

“Yes, I’m here,” Jorah finally called back, hoping for no response. “One moment, please.”

Fantastic. Take your time,” Meg responded nonetheless. “I’ve got all the time in the world to spare.”

Of course she did. And of course he did. So he slowly buttoned on his blouse, taking extra time to find the perfect shoes and not settling on an eyeshadow color until he had seen all of his options three times through. He still held out hope that Meg would get sick of waiting and leave, but of course again, he had no such luck. She was still waiting outside of his dressing room with a smile on her face when he opened the door to say, “Hello.” with a curt nod of the head.

Wow,” Meg said, holding a hand to her mouth—lips painted as red as Jorah’s. “No wonder you’re so famous. You look absolutely stunning. Just perfect. Even better in person.”

Jorah blushed. He would never get used to flattery like that, no matter how often he experienced it, and he was starting to worry that enough of it might just solidify Meg’s position as his best friend despite Jorah’s every efforts to resist her advances. “You’re too kind,” he said. “But I’m sure you didn’t just come here to compliment me again, have you? We’ve been over this.”

Meg stared at Jorah in silence for a moment, mesmerized by his beauty, before remembering herself and saying, “What? I mean, no. Not again. Though if you’d let me, I’d come here every day just to stare at you. I swear.”

Jorah’s ears got hotter. “Please,” he said. “Don’t. What is it that you actually came here for?”

“I—uh—well…” Meg was hesitant now. Jorah didn’t like the sound of what was to come. “Have you eaten anything yet?” she finally asked.

“I was just thinking about ordering in from the printer,” Jorah said, and he regretted it instantly. Now she knew that he had no plans and no excuses for getting out of what came next.

“Oh, no,” Meg said, shaking her head and scrunching up her nose like she smelled something dead and rotting. “Gross. You can’t. C’mon. Come eat with me. I heard about this new restaurant called The Prison. It’s supposed to be the hottest dining experience all year. We should definitely go check it out.”

Uh… I don’t know,” Jorah said, trying to find an excuse. “I’m not really dating right now. And I don’t—”

No, no no.” Meg stopped him there. “Not a date. A business dinner. I have a proposition for you, and I think you’ll receive it better over a meal that’s suitable for the occasion. So what do you say?”

There was really nothing else to say because, like an idiot, he had cut off all his lines of retreat at the beginning of the conversation. So Jorah just said, “Alright. Fine.” and tried to smile. “The Prison, you say? I’ve been meaning to eat there for a week now.” And that much was true. “I’d love to join you for dinner.” Even if that much wasn’t.

“Great!” Meg said, clapping her hands. “Perfect. Are you ready now or should I come in?” She tried peeking around him to see what his dressing room looked like, but Jorah still wasn’t ready to let her inside.

“No, no,” Jorah said, stepping out into the hall to close the door on her prying eyes. “There’ll be no need for that. I’m ready as we speak. Shall we take your elevator or mine?”

Oh, yours, please,” Meg said with a big smile. “Mine’s in the shop. I had to ride the public elevator here. It was disgusting. I bet I still smell like it. I’m so sorry.”

In fact, she didn’t. She smelled instead like too much perfume, an odor which she only made worse by adding more from a tiny bottle in her handbag. Jorah wasn’t sure how she expected to be able to taste the food with all that artificial scent clogging up her senses, but luckily, he didn’t care what the food actually tasted like anyway. He just had to knock it off his list of restaurants to eat at before he could review them—and positively at that, no matter the taste, atmosphere, or service, as per Mr. Walker’s demand—on his show.

“No, well, you smell…” Jorah trailed off without finishing his thought, instead pushing the button to call his elevator which opened instantly—his elevator being prioritized in the queue since he was the most famous actor in all of history.

As soon as the doors slid open, before Jorah could even react enough to step inside, Meg jumped in to sit on the purple suede couch and pet its upholstery.

“What an amazing elevator,” she said, still petting the couch as the doors closed. “It’s almost as nice as your clothes. You really are the perfect celebrity.”

“It’s not much,” Jorah said. “Same as everyone else’s. Lined with mirrors. A couch to sit on. Basic.”

“Yeah, but this couch,” Meg said. “It’s perfect. Soft, supportive, comfortable. Not to mention beautiful. Everything you need in an elevator couch.”

“Yes. Because it belonged to the perfect celebrity,” Jorah said.

“I told you!” Meg said, standing with a big smile. “And confident, too.”

“But not me.” Jorah laughed so he wouldn’t cry. “Not even close to me. I’m talking about Russ Logo.”

Oh.” Meg kind of deflated. She definitely wasn’t smiling any more. “I’m sorry,” she said. “I didn’t mean to…”

“It’s not your fault,” Jorah said. Which it wasn’t. “I’m the one who brought his name up. But that’s enough about the past. It’s time to look to the future. Let’s eat. Elevator. The Prison.”

The floor fell out from underneath them, and Meg, timidly, said, “You two were good friends. Weren’t you?”

“The best I’ll ever have,” Jorah said. “But, please. No more about Russ. It’s a beautiful day. We’re on our way to a famous restaurant. You have a business proposition you want to extend to me. Let’s enjoy this to the fullest. Elevator, street entrance, please.”

Meg gasped, checking herself in the infinitely reflecting mirrors in all directions. “What? You mean it? But the papos…”

“Let ‘em take our picture,” Jorah said, checking himself in the mirrors, too. “We’re two attractive, adult celebrities, and it’s well within our rights to enjoy a luxury business dinner together. Who cares if the world knows? I need some fresh air, and I’m gonna get it. Now, are you coming with me, or do you want to ride along to the restaurant entrance and meet me inside?”

“Oh, no,” Meg said. “I didn’t think you’d— I mean. Yes. Of course. By all means. Let’s go.”

The elevator stopped falling and Jorah struck a pose before saying, “Doors, open.”

Flashing lights and hot hot humidity flooded into the elevator before either one of them could react. When the papos outside saw it was Jorah, their lights quickened. Jorah posed a few times, then pulled Meg in to pose for a few photos, too, and when everybody had gotten their fair share of pictures, Jorah and Meg pushed their way out through the mass of papos and toward the restaurant.

Wow,” Meg said, fixing her hair in a pocket mirror as they walked. “I don’t think the papos have ever been so interested in taking my picture as they were just then. Thank you.”

“They can be fierce,” Jorah said, but he wasn’t really paying attention to Meg, more interested in the city around him. There was something familiar about the buildings or the street that he couldn’t quite put his finger on. Meg had gone on talking for some time when he couldn’t take it anymore, interrupting her to say, “This place seems familiar to me for some reason. Did something else used to be here?”

“Oh, yeah,” Meg said, pausing to really think about it. “The—uhThe Farm, or something? I think… Oh, no. The Plantation! That’s it,” she said, walking on.

“The Plantation…” Jorah repeated under his breath, remembering more but still not quite everything.

“Yep. The Plantation. Some producer bought it to live in or something like that,” Meg said with a shrug. “The things they do these days… But anyway, this is the place.”

And so it was. The Prison. And of course, it looked like every prison Jorah had ever seen on TV. There were tall walls, topped with chain-link fences that were topped with a combination of razor and barbed wire, all surrounding a big yard with basketball courts and weight benches on either side of the path that led to the restaurant’s front door where, inside, they were greeted from behind bars by a jerky robot in orange overalls.

“Hello,” the robot said. “May I take your jackets?”

Neither of them were wearing jackets so Jorah just said, “Uh. Table for two.”

“Right this way, please.” The robot host tried to walk, but it ran into the prison bars and couldn’t go any further before awkwardly searching for the cell door, finding a way out, and leading Meg and Jorah to their table in another cell.

Wow,” Meg said when the host had left them with menus. “This might be the coolest restaurant I’ve ever seen. Get a load of those costumes.”

Huh? Yeah. Costumes…” Jorah said, but again, he wasn’t paying attention. This time he was distracted by a little black furry blur running between the bars that separated the cell they were eating in from their neighbor’s cell before the thing disappeared into thin air. “Fortuna. Did you see that?” Jorah asked, interrupting whatever it was that Meg was going on about now. “Disgusting.”

“What?” Meg said, turning to see what he was talking about. “Oh, Fortuna. That dress is hideous. How does someone even go out in public looking like that?”

“No.” Jorah chuckled, feeling some sense of déjà vu. “That’s not what I— Never mind. Here. Let’s get on with it. What business proposition did you have in mind? Why’d you bring me here? Spit it out.”

“Ah, yes. Well… Don’t you think we should order first?” She looked nervously around for a server.

“I’d rather not,” Jorah said. “I don’t like to do business while I’m eating. But I would like to use that time to consider your proposition. So please, I’d prefer to hear your offer before the server even arrives. If you can manage it.”

“I— Uh. Well…” Meg was still hesitant, nervous.

“Go on.”

“Well, I want to be more than an actor, okay. I’m decent at it. The camera loves me. I enjoy acting well enough. But it’s just not the life for me.”

“I’m following. And I tend to agree,” Jorah said. “But I’m having a hard time figuring out what exactly it is that any of this has to do with me.”

“Right, right. Of course.” Meg fixed herself up and sat a little straighter in her chair. “Ahem,” she cleared her throat before going on. “Well, I also want to be—no, I am a clothes designer. But no one takes me seriously about that yet.”

“And…” Jorah led her on.

“Well, that’s where you come in. If you ever, say, wore some of my clothes, everyone else would want to wear them, too. Right? So I’m proposing…” And so on and so on. It was a typical business transaction between two consenting celebrities. Jorah was a little surprised to find out that Meg was a designer, but he definitely wanted to see her work at the very least, and he could make any further decisions after that. He didn’t say as much until after they had ordered their one special each and eaten the meals, of course—he didn’t want Meg to think that he was too eager to be working with her—but then he set up a meeting to try on the clothes and they parted ways so Jorah could prepare for his talk show.

#     #     #

On came the classical stylings of the Jorah’s Chorus theme music. Jorah himself sat at his J-shaped desk, staring into the black mirror of the camera lens, ready as ever to put on a show. The director counted down, the music began to fade, and Jorah smiled to the oncoming applause.

“My fans, my fans. Please,” he said, waving his hands in humble accord. “I love you all dearly, but if you don’t quiet down, you’ll never hear Jorah’s Chorus. And that is what we all got dressed up to come out here for tonight. Isn’t it?”

The crowd hooped and hollered, singing their own version of a chorus.

“Of course it is,” Jorah went on. “I know it’s what I came out here for. This is my show after all. Isn’t it? Jorah’s Chorus is what it’s called, so what do I have to sing for you today?

“More of the same, of course. The usual. The chorus. The bread and butter that you’ve all come to expect and love. We’ll have a few movie reviews and previews, including my latest—HAL BOT 5000. We’ll have my own personal review of The Prison, a restaurant down in New Orleans. Wait until you hear about my experiences in this one. You’ll never believe it, I promise you. And finally—finally—for a slight change of pace, at the end of the show tonight, I plan on announcing a new business relationship that I’ve just opened up—literally right before my show today—with an up-and-coming designer who, forgive my language, but y’all are going to shit your pants when I reveal who this person is. I promise you. You. Won’t. Believe.

“But first, and of course, y’all know how the business goes. We’ve gotta see a few more messages from our sponsors—including Mr. Walker, producer of many of the fine movies—and restaurants—you’ll hear about tonight—but don’t go anywhere, you hear? Because you don’t want to miss the announcement that’s coming up at the end of the show. I’ll be here waiting for y’all in the meantime. Until then. This is Jorah’s Chorus.”

And the classical tune of Jorah’s Chorus’s theme song went on playing again while Jorah sat pleased at his seat, excited for the show to come. But of course, as happened any time Jorah felt like Fortuna was finally spinning her wheel in his favor, everything went to shit again.

There across the set, talking to Jorah’s director, in their too white uniforms with cargo pants—cargo pants!—plated armor vests, and glowing neon smiles that sounded like Evil and Misfortune combined, were two protectors, talking in modulated voices through their almost screaming facemasks. Their teeth flashed neon glowing light all over the director until she pointed the protectors in Jorah’s direction, and he held his breath, dreading what was to come.

“Jorah Baldwin?” one of the protectors demanded in their too loud, unnatural voice, teeth glowing neon yellow, red, and green with every word.

“Yes.” Jorah nodded.

“We need you to come with us,” the other said in a voice modulated to sound exactly the same as the first’s.

“But I’m in the middle of a show,” Jorah complained. “Can’t this wait? I have an audience expecting me to perform.”

“Mr. Walker’s orders,” the first said. “Let’s go. Move it.”

And Jorah had no choice at the invocation of Mr. Walker’s power, so he did his best to apologize to his audience as the protectors dragged him violently off set.

#     #     #

< LXV. Thimblerigger and Stevedore     [Table of Contents]     LXVII. Mr. Kitty >

There it is, dear readers, another chapter in the Infinite Limits story. If you enjoyed that and can’t wait for the rest of the story, you can always pick up a full copy of the novel in ebook or print format through this link. Or you can join us again next week for the next chapter, from Mr. Kitty’s perspective. Whatever you decide, thanks for sticking around this long, and we look forward to seeing you around in the future. We do nothing alone.

Chapter 65: Thimblerigger and Stevedore

Hello, dear readers. We’re back again this Saturday with another chapter in book four of the Infinite Limits series, 0.N Repeating. Today we join newcomers Thimblerigger and Stevedore in Outland Six where they’re forced to scrape by on what little crumbs are left when all the other worlds have gotten what they want. Keep on reading here every Saturday morning, or if you can’t wait, pick up a full copy of the novel in ebook or print format through this link. Enjoy.

< LXIV. Haley     [Table of Contents]     LXVI. Jorah >

LXV. Thimblerigger and Stevedore

“Tails,” one of them said—Stevie. It didn’t really matter which one, though. Tails was both of their go to call. Tails never fails, they’d always say. But with their luck, it seemed more like tails always failed.

The other, Thim, flipped a coin, caught it, and read the outcome. “Tails,” they said, handing the token to Stevie and waiting for Stevie’s next call before flipping another coin.

“Tails,” Stevie repeated.

“Tails again,” Thim said after having flipped the second coin, and so again the coin changed hands from loser to winner.

“Tails,” Stevie said again. “And you can stop asking me because my answer’s not gonna change.”

“Tails again.” And again, the coin changed hands.

“Do we really have to keep playing this game?” Stevie asked.

“Tails again,” Thim said, handing Stevie the coin.

“I mean, really? How many coins have we flipped already?”

“Tails again.”

“And I don’t just mean this morning, either. I’m talking about our entire sad lives.”

“Tails again.”

“All we do is flip coins, flip coins, flip coins, and neither of us ever seems to come out on top.”

“Tails again.”

“No matter how long we stay at it, running faster and faster to try to keep up, we still end up about even in the end.”

“Tails again.”

“In fact, the more coins we flip, the longer we work at it, the closer we come to a tie.”

“Tails again.”

“It’s like a rule. Or a law or something. Diminishing returns… No, large numbers. I don’t know.”

“Tails again.”

Stevie grabbed Thim by the shoulders and shook them. “Look at me,” Stevie said. “Are you even listening to a word I’m saying?”

But Thim flipped another coin and checked which side came up before giving their answer. “Tails again,” they said. “Are you listening to a word that I’m saying?”

“What? No. Your stupid coin game?” Stevie chuckled. “That’s exactly what I’m talking about. I’m over it. You’re definitely not listening.”

“No, you’re the one who’s not listening. Look.” Thim flipped the coin over and over, reading out the result each time. “Tails. Tails. Tails. Tails. Tails. Tails. Tails. Tails. Tails. Tails. Tails… And it keeps going, too. Every time I flip. Are you listening? Tails. Tails. Tails. Tails. Tails…”

“Let me hold that coin.” Stevie snatched it away from Thim to feel both sides and make sure it wasn’t a cheat.

“No tricks here,” Thim said, holding their hands up in defense. “You’re the one who’s winning, anyway. Why would I use a one-sided coin that only made me lose? Don’t you think it’s odd?”

“Any time I’m on the winning side of a coin flip, something’s definitely odd,” Stevie said.

“No, I meant all the tails in a row. There’s another. Don’t you think it’s about time something comes up heads for once? Tails again.”

“Of course I do. It’s always about time until it is time. But I thought I was losing all this time. It usually lands on heads, doesn’t it?”

“You know what. Maybe it is.”

“Is what? Heads? You have been reading the coin correctly, haven’t you?”

“No— I mean, yes. I have. It’s been tails all morning. And again. And again. And again… It doesn’t stop. I meant maybe it is time.”

“What now?”

“Maybe time has stopped. Maybe these aren’t different coin flips at all. Maybe it’s really just been the same coin flip over and over again.”

“The same coin flip?”

“Yes, well, if I flip it once and get tails, that flip’s always tails. Right? So if I did that flip again, I’d get tails again. Right? It’s already been done and decided for, and it’s already tails.”

Right… But how could you do the same coin flip again? Wouldn’t that just be doing another coin flip?”

“I don’t know. Would it? Usually it is, but this isn’t usual. Is it? Usually we’d get a few heads in there to let us know that we had moved forward in time, right? But all we keep getting here are… tails again.”

“I still don’t understand. You flip the coin once, then you flip it again. Those are different flips even if they land with the same side up.”

“Are they, though? That’s the point. Maybe so. Maybe not. I still don’t understand it myself, you see. We need to do more investigating. Here. Listen carefully. Let me know if you can detect any differences at all between the flips.” Three flips in quick succession and three times in a row: “Tails. Tails. Tails.” Then, “Well…”

“Well, it sounded like three more tails to me,” Stevie said with a shrug. “I don’t know. What else do you want me to say?”

“I don’t know, either,” Thim said, tossing the coin way up where, before it could land, Big Broke Momma snatched it out of the air. Thim and Stevie always wondered how Momma BB got around so quietly while being so large—and with a limp at that—but if there was anyone in the worlds who could sneak better than them, it was her.

Momma BB was something special—and that wasn’t just because she had taken in and reared Thim and Stevie since they were young and useless cry-babies, either. She really was special, and they weren’t the only people who thought so. Just like Thimblerigger and Stevedore—who were never apart, depended upon one another for survival, and were made better by their mutual reliance—Momma BB wasn’t a single person, either. And not just her body—with its exposed mechanisms and wires, patchwork of variously shaded skin colors, and legs of two different lengths, producing her signature limp—but her mind, too. She was connected to thousands of other minds already, and that neural network was growing with every day that they built the robot revolution.

“Well, now. What are you two little monsters still doing here so late in the morning?” Momma BB asked. “Don’t y’all have chores you’re supposed to be doing?”

Here was the lobby of the apartment building safe house that Momma BB oversaw. Mostly it was inhabited by orphans—like Thimblerigger and Stevedore—who would have died or been reduced to something worse than death in order to survive if Momma BB hadn’t taken them in. Other than that, there were some escaped androids who had fled slavery to be stuck in the Streets of Six and relatively fewer humans who had been blacklisted from employment and housing elsewhere because of their support for the robot cause.

“Thim’s been flipping coins again,” Stevie said, arms crossed.

“Well, we’re not really sure it if it actually is again, Momma,” Thim corrected Stevie. “It could still be the same flip.”

“You two aren’t gambling now, are you?” Momma BB shook her head. “You know I don’t approve of it.”

“It’s not really gambling because we share our tokens,” Stevie said. “It’s more symbolic of the transfer of wealth than anything.”

“And we still don’t know if it’s a new flip yet,” Thim said. “What’d it come out as?”

Momma BB looked at the coin, said, “Tails.” and tossed it to Thim.

Thim caught the coin with a shrug and handed it to Stevie, saying, “Still inconclusive. We’ll have to run more tests.”

“But Momma BB caught that one,” Stevie complained. “It has to be a different flip. Doesn’t it?”

Thim shrugged again. “Inconclusive.”

“Alright now, y’all,” Momma BB said. “You can do your further testing on the way to work. Your chores are more important than ever now that Christmas is so close. Let’s go, now. We—”

We do nothing alone,” Thimblerigger and Stevedore finished for her, having heard the mantra a million times a day since she had taken them in. “Yeah, yeah. We know.”

“Then y’all know that you’ve got chores, too, and you should be out there doing them.”

“Yes, Momma,” Stevie said. “We’ll get right on it.”

“We thought time had stopped,” Thim said. “We couldn’t do the chores if time wasn’t moving. Could we?”

You thought time had stopped,” Stevie reminded them. “I just wasn’t paying attention.”

“Well time has not stopped,” Momma BB assured the children. “I guarantee you that. If only it had. No, time is flowing at the exact same speed that it always has—much too fast. And that’s all the more reason why you two need to get to those duties of yours sooner than later. There’s no time to waste. Now move along.”

“There’s no time at all,” Thim said, putting a finger on their chin. “Hmmm. Maybe that’s it. There’s just never been any time at all…”

“Now that’s just too much,” Stevie said with a sigh. “Time definitely exists, and Momma BB’s entry into our story suggests that it’s moving forward. So let’s just get on with our chores.”

Thimblerigger started to say something, stopped, took one more coin out and flipped it as high in the air as they could, caught the coin, flipped it behind their back, under their leg, and off the wall, caught it one more time in one hand and flipped it onto the other only to reveal the coin, sigh, toss it to Stevedore, and say, “I’ll come do my part, but I still think the evidence is inconclusive.”

“And like I said,” Momma BB said. “Y’all can continue your little experiments on your way. You’re creative. I’m sure you’ll think of something.”

“Thim’s experiments,” Stevie reminded Momma BB.

And, “We do nothing alone,” Thim reminded Stevie.

“That’s right, my darling little monsters,” Momma BB said, pulling Thimblerigger and Stevedore in tight for a big, robotic bear hug. “We do nothing alone. And don’t you dare forget it. Now, I love you two. Y’all know that, right?”

“Yes, Momma,” Thim and Stevie said simultaneously, struggling for air through Momma BB’s hug. “We love you, too.”

“Good,” she said, patting them on the butts to encourage them out of the apartment complex. “Then get moving. I have some chores of my own to get to.”

#     #     #

Thim and Stevie came out of Momma BB’s Safehouse into the heart of the Streets of Outland Six, dark skyscrapers towering over them in every direction.

First—as they did every morning—Thim and Stevie had to find food. It was impossible to do any of the other work ahead of them unless they could nourish themselves, and in Outland Six, there were no printers to steal food from one of the other worlds and give it to them, so they had to go out and find it for themselves. Well, not just for themselves. They were actually gathering supplies for the entirety of Momma BB’s Safehouse. And while that meant that they had to find more food than they would have if they were only searching for themselves, it also meant that they benefited from the experiences, tools, and resources of the other residents—including Momma BB herself—which made them able to catch, carry, and grow more food than they ever would have been capable of on their own—more than enough to feed everyone in the Safehouse, stow a supply for emergencies, and still have extra to give to those in need.

Thim and Stevie’s morning duties consisted of scouting the rat traps and garbage cans in their sector. The rat traps, because if they didn’t get there early enough in the morning, someone else might take the meal for themselves. And the garbage cans, not for food—no one ever threw anything edible away in Six because they were all too hungry to waste food—but instead in search of the odd stray mechanical part, frayed wire, or other useful tidbit. Not many Sixers knew how to utilize such garbage, but Momma BB had always said that it was the trash parts that others had thrown away that had originally saved her life—allowing her to go on to save Thimblerigger’s and Stevedore’s—so Thim and Stevie were extra careful to search every dumpster they passed in case the part they found turned out to be the one that saved a life.

As they walked, Thim continued flipping a coin over and over and calling out the result each time. “Tails. Tails. Tails…”

When they got to the first dumpster, Thim handed Stevie the token, saying, “You keep flipping. The more data we gather the better. I’m going in.”

Stevie shrugged, went on flipping the coin, and called out each response even though Thim, who had gone all the way into the dumpster to search it more thoroughly, couldn’t make out a thing. “Tails. Tails. Tails. Tails. Tails…” And so on and so on.

“Well?” Thim asked expectantly, climbing out of the dumpster and brushing some trash goo off their shirt.

“All tails,” Stevie said, flipping the coin back to Thim who caught it, flipped it again, and said, “Tails again.”

They walked on, Thim flipping the coin still, until they made it to the first alley that held their rat traps. Stevie searched each one, putting what rats had been caught in a satchel they carried over one shoulder, while Thim went on flipping the coin.

“Tails. Tails. Tails…” Thim read off as Stevie grabbed a still-twitching rat by the tail, slammed its head on the ground to knock it out, and stuffed it in the bag with the rest.

“Well, I’m getting heads and tails both now,” Stevie said, chuckling to themself as they walked on. “Even if it’s all rat heads, I think it’s safe to say that time has indeed moved forward now that we’re doing our chores. Wouldn’t you?”

“I don’t know.” Thim shrugged, flipping the coin again and still coming up tails. “I still say the evidence is inconclusive.”

And so they continued on, searching each block of dumpsters and set of rat traps in their sector, flipping tails over and over, until they had searched what seemed like hundreds of dumpsters and ten times as many traps to find more rats than they could carry and what looked like a few useful stray parts. They returned to the Safehouse and left the rats in the kitchen—and the bits and pieces of wire and electronics in Momma BB’s workshop—then they finally got to eat their own meal. They plated out a serving of rat sausage—or maybe it was pidgeon, but it all tasted the same in sausage form—biscuits, and jam for each of them then took their meals up to the roof garden—a long climb with the smell of sausage in their nostrils.

The rooftop garden was Thimblerigger and Stevedore’s favorite place to be in all the worlds. Momma BB’s Safehouse wasn’t the tallest skyscraper around, but it was near it, and there weren’t any shadows on the roof except for one little corner where Thim and Stevie always ate their lunch in the shade of a nearby building, looking out onto the rows and rows of raised beds that grew wheat, vegetables, potatoes, and corn in the life-giving sunlight.

Mr. Kitty—a black cat who frequented Momma BB’s Safehouse—was already asleep in the shade, as if he were waiting for them to arrive. He purred and changed position when Thim and Stevie each took a chance to pet his smooth, soft fur before starting in on their lunch.

“Mr. Kitty sure does have the life, doesn’t he?” Stevedore said as they ate.

And, “Ugh.” Thimblerigger groaned. “How many times do I have to tell you?” they asked through a mouth full of sausage. “Don’t talk with your mouth full. It’s disrespectful.”

“Yeah, well you just did it, too,” Stevie complained.

“But you don’t have to look at it,” Thim said, stuffing their mouth faster so they could get back to flipping the coin.

“Still,” Stevie said, annoyed. “Mr. Kitty has got the life, huh? I mean, look at him. Every time we see him, he’s sleeping in the shade here. And look, you just gave him the last little bits of your sausage, and I’ll give him the last little bits of mine, then we’ll both go to work, watering all this food for all these other people, while he just goes on sleeping. That is the life.”

“Sure,” Thim said, done eating and back to flipping tails. “And every time he sees us, we’re out here sitting in the shade with more lunch than we can eat. Besides, those little bits we give him aren’t enough for a cat to live off of. I’m sure he has to search for his own food the same as we all do.” And tails, and tails, and tails…

Yeah, yeah,” Stevie said, feeding their leftovers to Mr. Kitty then leaning back on their elbows to get some rest before their next set of chores. “But I’m sure there are plenty of other people who feed him. And plenty of places to find food.”

“Not on this roof,” Thim said. “Tails. Not unless that cat eats vegetables. Tails again. This is getting serious.”

“Seriously, though,” Stevie said. “How does he get up here? I mean, I’ve never opened the rooftop door for him. Have you?”

“What? No. That’s not what I’m talking about. You’re off track again. I’m talking about the coin flips. They’re still coming up tails. That’s what’s serious.”

“Sure, sure. Sure, it is,” Stevie said, laying all the way back now to listen to the cool wind blowing over their heads. “But we’ve been over all that already once before. I’m on to this now. Haven’t you ever wondered how it is he gets up and down from here all the time? I mean, like you said, there’s no way he’s surviving on the food here alone. And we trap all our rats for ourselves, so that’s not an option.”

“Of course I think about that,” Thim complained. “I’ve been asking you those exact questions ever since the first time we saw Mr. Kitty up here. Why are you only interested in them now that I have something more important on my mind?”

“I’d hardly say that a string of bad luck is super important in the grand scheme of things. Neither is this Mr. Kitty business, mind you, but I choose to focus on it just as you choose to focus on the coin flips. But neither matters at all, in the end, because it’s time to get back to what’s truly important anyway: our chores. So let’s do this.”

And after one more trio of tails, Thim finally gave in and helped with the work. Each of them picked up their bucket, filled it with water, then started down a row, carefully watering each plant along the way. At the end of the row they’d go back and refill their buckets then pick another row to water. There wasn’t really any talking or thinking that could be done during this part of their job because the work was too physical to allow for it, so they just worked. They were sweaty and tired by the time they put their empty buckets away, but Thim went on flipping their coin nonetheless.

“And do you see him now?” Stevie asked. “Or more likely, is Mr. Kitty gone? No sign of where he’s gotten off to, either, I imagine. But you know what? I’ve had enough waiting for the answer to come to me. I’m gonna go find it for once.”

“What are you talking about now?” Thim asked, still coming up tails.

“I’m saying that I think we should camp out here on the roof tonight. But this time let’s really stay up all night like we always used to say we’d do. And we’ll keep a watch until we finally find out where Mr. Kitty comes from. What do you say?”

“Tails,” Thim said. “Tails. Tails. Tails. That’s all I can say until it comes up heads for once. I don’t care about anything else—including where we sleep—until it does. So whatever.”

“Good. Great, then,” Stevie said, laughing and clapping their hands. “Let’s go down, get some food and blankets, then come back up and set up a stakeout. We’re finally gonna find out who this Mr. Kitty is, and we’re not leaving this roof until we know for sure. Come on.”

And so Thim followed Stevie downstairs to do as they were told, flipping tails all the way.

#     #     #

< LXIV. Haley     [Table of Contents]     LXVI. Jorah >

And there you have it, the first introduction to Thim and Stevie, two of my favorite characters in this story who are based on two of my favorite characters in all of literature. If you enjoyed that, please do stick around for the continuation of the story, and if you have the money, think about picking up a copy of the novel through this link. We do nothing alone.